Typos 5, An International Journal of Typography, 1981

Information

Content includes:
Professional Ethics of Designers – Josef Muller-Brockmann
Mayakovsky Now – Marina Vaisey
St Bride: The Printing Library – Roger Fieldsend
St Bride: The Church – Barney Somers
Type as Image : Chermayeff & Geismar – FHK Henrion
Mexico: Presidential Election Posters – FHK Henrion
Letter as Image Posters for an Exhibition
Eric Gill: Stamp Designer Manqué – David Rutt
Building Titles and Type – R Kindersley/M Jennings
Jiri Kolár Images for a Calendar – R Kindersley/M Jennings
Book Review: The Design Concept – Alan Bartram
Bulldog Bobby A Symbol at Work – Steve Baker
World Cup of Soccer Posters
The Master Printers of Koryo – FW Lambert / Chang-hyun Um

Details

Linked Information

Typos 5, An International Journal of Typography, 1981. Fred Lambert and Usha Agarwal
Typos 5, An International Journal of Typography, 1981. Fred Lambert and Usha Agarwal
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.