Typography 7, Shenval Press, Winter 1938

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Robert Harling [Edited by]
Contents:
The Dictatorship Of The Lay-Out Man: Holbrook Jackson
Visual Expression: Ashley Havinden; includes an uncommon full-page color reproduction of an E. McKnight Kauffer Exhibition Poster.
Early Children’s ABCs: Roland Knaster
Five Books About Books: James Shand
Twentieth-Century Sans Serifs: Denis Megaw
Nineteenth-Century Types: book review of Nicolas Gray’s book
The Typography Of The Cheap Reprint Series: John Carter
Book Review:Wickham Steed’s THE PRESS
Type Supplement:Specimens
Notes, comments and acknowledgements

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Typography 7, Shenval Press, Winter 1938
Typography 7, Shenval Press, Winter 1938
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.