Information

Editor/G. S. Whittet
Art Editor/David Pelham
Advertisement Manager/Michael Kinloch
Volume 167 Number 850

Content includes:
Gwyther Irwin. The Artist at Work: 26/Mervyn Levy
Josef Albers/Daniel and Eugenia Robbins
Antony Hollaway. Artist for Architecture/Bernard Orna
Dunn International/the exhibition reviewed
Franco Garelli. Exorcising Michelangelo/Michel Conil Lacoste
Six painters from Greece/Charles S. Spencer
Common market for artists. Paris Commentary/Alexander Watt
Faded idioms and new reactions. New York Commentary/Dore Ashton
Richier casts her shadow, new reliefs.
London Commentary/G. S. Whittet
Collectors collected/George Savage

Cover:
Josef Albers
Homage to the Square: Apparition, 1959
Oil on board. 471 × 473 in.
Collection of the Solomon R. Guggenheim
Museum, New York

Details

Linked Information

Studio International, February 1964. Cover artwork by Josef Albers
Studio International, February 1964. Cover artwork by Josef Albers
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.