Information

Content includes:
Should France Use Propaganda? An Interview with Bernard De Plas, President of the French Advertising Association by Serge Bromberger.
Jean-Yves Pique by Ernst Lehnerj
“Der Schweizerische Beobachter” The Largest Periodical In Switzerland by G. L.
Publicity and Psychology by Marcel Nancey
Frigidaire Comes Back to France
Jaque Richez.
The Italian Scooter a Vehicle For Everyone by P. A. Giurleo P. B. E.
The ‘Group XV” Of Paris by Daniel Masclet
Fun And Fodder: A Swedish Campaign For Fodder Manufacturers by C. C. A. Ellsen
Dutch Posters by D. Sero
Jose Ignacio Bermudez
The Advertising World

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Linked Information

Publimondial 28, 1950. Cover design by Jean-Yves Piqué.
Publimondial 28, 1950. Cover design by Jean-Yves Piqué.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.