Information

Content includes:
Pier Carlo Santini – The church of Alvar Aalto in Riola
Daniele Baroni – Baldessari’s semi-permanent architectures
Daniele Baroni – The era of steel (part one). Fifty years of Domus
Cini Boeri, coll. L. Griziotti – In Milan. In Copenhagen
Antonio Rossin – Shoes for young people
Tecno Project Center – Rigorous furniture for a company canteen
P. De Martini, G. Falconi, F. Fois – House in Pontida
Pier Carlo Santini – Manfredi Nicoletti: almost a self-portrait
Achille Castiglioni – Frisbi
Cini Boeri – Academy/ Ali’Euroluce
Antonio Virgilio – Padded
Tecno Project Center – 230 series
Carlo Forcolini – Remembering neoplasticism
Norbert Linke and Attilio Marcolli – The grip of the hands
Giovanni K. Koenig and Roberto Segoni – The «Renaissance du Tramway
Mario Arnaboldi – Skateboard on the indoor track
Francesco Binfaré – A stage for Le Corbusier. The design of the Castiglioni
Guido Ballo – Fiat’s invitation to meet Dubuffet

Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Salvatore Gregorietti (Unimark)
Photographs: Anghinelli, Dance, Basil Cavalleri, Falchi and Salvador, Lennard, Maggi, Schezen, Valabrega, Ziglioli.

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Linked Information

Ottagono 51, 1978. Designed by Salvatore Gregorietti (Unimark)
Ottagono 51, 1978. Designed by Salvatore Gregorietti (Unimark)
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.