Information

Content includes:
An hour with Le Corbusier
Apartment Milan
Consistency in Vico Magistretti’s design
Prefabrication for interiors
New sofa for Arflex
An industry through the Triennali
Two-light lamp
Aspects of architecture
Marco Zanuso. A house in Milan
Alvar Aalto
Cinema and theater: more form than substance
Encounters with art, Vitality of the sign today
Production review
Where to buy
Shops abroad

Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Bob Noorda / Unimark
Photographs: Ballo, Bosio, Colore Industriale, Coluzzi, De Pratelli, Benedetti, Mari, Mulas, Savio, Studio 22.

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Linked Information

Ottagono 01, 1966. Design by Bob Noorda / Unimark
Ottagono 01, 1966. Design by Bob Noorda / Unimark
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.