Information

Content includes:
Pnina Avidar, Max Cohen de Lara, David Mulder, Marieke van Rooy, Editorial
Eric Bolle, The Philosophy of Exile
Sophia Vyzoviti, The “Immigrant’s Place of Getting Together” in Downtown Athens, A Model of Necessary Physical Environmental Conditions
Igor Marjanovic, Katerina Rüedi Ray, Chicago Immigration: Dreamscapes and Datascapes
Raoul Bunschoten, Longing and Belonging
Els Verbakel, Frontier Margins: Border Spaces in Flanders Fields
Max Cohen de Lara, Marieke van Rooy, Cultural Diversity as the Basis for Urbanism, An Interview with Haroon Saad
Oscar van den Boogaard, The House on the Surface of the City

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Linked Information

OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie
OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie

 

OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie
OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie
More graphic design artefacts
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From the design archive:
From the design archive:
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More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.