Information

Content includes:
Hasso Bruse – The Best Swiss Posters of 1971
Hans Kuh – Jesús Emilio Franco, Venezuela
Erich Pfeiffer-Belli – The 4th Posters Series of the EDITION OLYMPIA 1972
Peter Kothé – \”The Vultures and the Future\” A Wood-Cut Abc by Esteban Fekete
J. J. de Lucio-Meyer – An International Approach, The Design Group Stewart Morrison Harrison, PACKAGING – London and Toronto
Charles Rohonyi – Pierre Cordier and his Chimigrammes
Hinner Gehring – The \”Integrated Graphic System\” by Hinner Gehring, Original Graphics as an Element of Interior Design
Ludwig Rase – Two- and Three-Dimensional Computer Design

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Linked Information

Novum Gebrauchsgraphik, 8, 1972. Cover design by H. Gehring
Novum Gebrauchsgraphik, 8, 1972. Cover design by H. Gehring
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.