Information

Contents
Heineken Prize jury report (1996) / Jury Heineken Prijs (1996)
Robin Kinross: Karel Martens: work in progress / Karel Martens: werk in uitvoering
Karel Martens: 50 years of work / 50 jaar werk
Karel Martens: What design means for me / Wat vormgeving voor mij betekent
Koosje Sierman: Martens’s capture of the margin / Martens’ verovering van de marge
Hugues C. Boekraad – Karel Martens: meticulous and personal / Karel Martens: zorgvuldig en persoonlijk
Karel Martens and education / Karel Martens en onderwijs
Jaap van Triest: Book keeping / Uit de boeken
Bibliography / Literatuur

Details

Linked Information

Karel Martens -  Printed Matter, 2010
Karel Martens – Printed Matter, 2010
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.