Industrial Art News – Vol. 27, No. 2, February 1959

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Content includes:
Mitsubishi Exhibition Center. – KEMMOCHI Design Asso
Winning Designs of The 7th Annual New Japan Industrial Design Competition
Pinin Farina’s new model
Imperial Festival Colors
A Study of the nature of the market for
Japanese Handicrafts in the U.S.A. (1)
Industrial Design in Soviet Russia and Her Satellites – KATZUMIE Masaru
Industrial Design Education of The Institute of Design, I.I.T. (2) – CHIKU Atsushi
Ready-Made Wiring Devices, collected from the U.S. market
Two types of Copying Lathe
Cover Design: ITO Kenji (Our Cover Artist)

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Industrial Art News - Vol. 27, No. 2, February 1959. Cover design by Kenji Ito,
Industrial Art News – Vol. 27, No. 2, February 1959. Cover design by Kenji Ito,
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.