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Content includes:
A Generation of Graphic Art
1935 Georg Salter, Raymond Lufkin
1936 Lynd Ward, Bruce Rogers
1936 Gustav Jensen, Samuel Bernard Schaeffer
1936-37 Lester Beall, Lucian Bernhard
1937 E. McKnight Kauffer
1937 Clarence P. Hopkins
1937 Laszlo Matulay, William Edwin Rudge
1938 Bauhaus, Herbert Bayer
1938 Joseph Binder, Hans J. Barschel
1939-40 Gyorgy Kepes, Howard W. Willard
1940 G. Giusti, Jean Carlu
1940-41 Paul Rand, Hans Moller
1941-42 George Krikorian, Lester Beall
1941 Will Burtin
1941 Alex Steinweiss
1942-47 Advance guard of advertising artists, Four veterans Alex Steinweiss
1947 Paul Rand, Ladislav Sutnar
1948-49 Ben Rose, Alvin Lustig, Will Burtin
1950,59 Morton Goldsholl, Brownjohn, Chermayeff & Geismar
1960 Brownjohn, Chermayeff & Geismar / Lester Beall / Gene Federico / McCall’s Magazine
1949-66 Hal Zamboni, Irving Miller, CBS, Peter Hirsch, The Push Pin Studios, Aaron Burns
1960-61 Lester Rossin Creative Group Inc., Milanese Graphic Designers, Parisian Graphic Designers, New York Times, Sudler & Hennessey, Canadian Broadcasting Corporation, Art Kane
1962-65 Gyorgy Kepes, Fortune Magazine, John Massey, Time Magazine, NBC Television
1966 CBS Television, Carl Ally, Inc.
1965-66 Geigy Chemical Corporation, Metromedia Inc., Ward & Saks
Illustrator Lunn Sweat
Illustrator Murray Tinkelman
Hemis Fair ’68
Danger states for art director by Henry Wolf

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Idea 90, 1968-9. Cover design by Koichiro Inagaki
Idea 90, 1968-9. Cover design by Koichiro Inagaki
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.