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Content includes:
Abstraction and Fundamental Formation of Design
Illustrator Paul Davis
Peter Weher by Kurt Weidemann
ADs of West Coast by Tadahisa Nishio
Don Kapp
Roger Kennedy
S. Neil Fujita
California design / nine
Ronald Shakespear
Yusaku Kamekura and Trademarks by Masataka Ogawa

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Idea 81, 1967. Cover design by Yusaku Kamekura
Idea 81, 1967. Cover design by Yusaku Kamekura

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa
More graphic design artefacts
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From the design archive:
From the design archive:
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Members Content

Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

Members Content

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.