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Content includes:
Special feature: Medium-Specific – things and thoughts on printed matter Nobuhiro Yamaguchi, Kazuya Kondo, Daishiro Mori, Hideki Nakajima
Nouvelle Vague ‘Bande a part’ Artwork Revisited Dylan Kendle & Julie Verhoeven
Designers and the political – An interview with Daniel van der Velden
“Zine Library” No.12 gallery and Nieves Books presents: Taro Hirano and Benjamin Sommerhalder
design mannerism vol.7 “Typus Typographicum” Text by Hiroshi Takayama
On Hand Lettering vol.5 Chapter II “Fascination of letters – hand lettering for cinema advertising ” Part 2 Koga Hirano, Naomichi Kawahata and Osamu Torinoumi

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Idea 320, 2007-1
Idea 320, 2007-1
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.