Information

Content includes:
Special feature: A Graphic History of Emigre magazine 1984-2005
Penguin books Design of Great Ideas
design manierism vol.3 “Mirable visu” by Hiroshi Takayama
When Pigs Design Vol.33 by Kyoichi Tsuzuki “How cool not to be cool is–Great airbrush painters Part.2”
Typography Review vol.12 “The Node of Modern Visual Language” Text by Yusaku Terayama, Supervision by Jiro Katashio
Shinro Ohtake Original Serial Poster [2nd impact] Part 16 Side A(inside): Uchumisaki II Side B:(outside): Exposure IV

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Linked Information

Idea 314, 2006-1
Idea 314, 2006-1
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.