Information

Content includes:
Special Feature: Graphics of Warp Record
Special Feature 2: 2×4 “12 ideas for Idea”
Special Feature 3: Namaiki A.R.S.E – Agricultural Research Super Extraordinary
Talk Session “Typography with love, uniqueness and affluence” Nobuo Nakagaki, Mitsuo Fukawa, Hirokazu Mukai
esign manierism vol.2 “Characteristica Universalis” by Hiroshi Takayama
When Pigs Design Vol.33 by Kyoichi Tsuzuki “How cool not to be cool is–Great airbrush painters Part.1”
Invisible Language vol. 17 An interview with Emma Clarke by Paul Elliman
Shinro Ohtake Original Serial Poster [2nd impact] Part 14 Side A(inside): At Marco, ’93 Side B:(outside): Police Journal

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Linked Information

Idea 313, 2005-11
Idea 313, 2005-11
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.