Information

Cover Design: Cho Yong Jae
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
XIII Biennale of Graphic Design Brno (Czechoslovakia) by Jiri Hlusicka
A series of the Teacher and His Students ②, Prof. Jan Lenica and His Seven Students, The Project Chosen for this series: “Self – Presentation”
Wolff Olins
Contemporary Indian Calligraphy
New Works by Tadanori Yokoo “Dragon Vessel” by Kazuo Fukuda
Computer Superstars
Ardeshir Mohassess and His Collection of Clowns by Sara Khalili
Rebecca Blake, Photographer by Jim Ferrante
Antique Fruit Crate Labels by Bungaku Ito
Takashi Kanome – His Radical Sense and Free Expressions by Yoshio Hayaawa
The Four Reactor Artists
BRS Watano by Laurence S. Sewell
Mel Hioki, Art director by Caroline Manalo
The Trick by Shigeo Fukuda
Series 11 – ①,②: Art in New York Today, ①Testimony of Wildness by Robert Stanley, ②Perspective from Betty Tompkins’ Paradise by Shoichiro Higuchi
’88 Art Festival, Yufuin by Koichi Nakai
Urban Forms by Alan Finkel by Shoichiro Higuchi
Yuji Baba: The World of “Kanji Game” by Shigeo Fukuda
Gaho Taniguchi’s Installation
Frank Horvat, Photographer

Details

Linked Information

Idea 213, 1989-3. Cover design by Cho Yong Jae
Idea 213, 1989-3. Cover design by Cho Yong Jae
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.