Information

Cover Design: Masatoshi Toda
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Michel Bouvet by Dominique Joubert
Graphic Designers, Mark Michaelson, Jim Christie, Norman Hathaway and Helene Silverman by Bob Newman
Jacques Richez – “Saving Your Presence” series 1987-1988
Roni and Arieh Hecht by Yarom Vardimon
Susumu Sato, Photographer by Mary Yeung
Carre Noir, a Major Presence in Europe by Takeo Yao
Hirosuke Watanuki’s World by Takeo Yao
Sidjakov Berman Gomez & Partners by Shin’ichiro Tora
Adrian Pulfer – Clearness, Delicateness and Simplicity
“Hedonic” Advertising by Katsumi Asaba by Shinichiro Kurimoto
Hall & Cederquist Advertising Inc.
Kuniomi Uematsu’s Poster Exhibition by Yusaku Kamekura
Fantastic Nakazawa CI Design by Hirohisa Shiomi
Series 8-①, ②, ③ Art in New York Today, 8-① Merrill Wagner, Swimmer in the Stream of Time, 8-② Freedom and Transparency in Jane Logemann, 8-③ Dorothea Rockburne’s Dialogue with Pascal by Shoichiro Higuchi
Kristen Funkhouser
Peter Sis, a Czech Book Illustrator
The 55th Mainichi Advertisement Design Award by Katsumi Asaba, the Judges for Opinion Advertisement, the Mainichi Shinbun, Gan Hosoya

Details

Linked Information

Idea 210, 1988-9. Cover design by Masatoshi Toda
Idea 210, 1988-9. Cover design by Masatoshi Toda
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.