Information

Cover Design: Jérôme Oudin
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Contemporary Polish Posters Exhibition in Ogaki, Japan by Noboru Matsuura
Erkki Ruuhinen by Richard Hayhurst
Bruce Arendash by Rebecca Segerstrom-Sato
HOW Magazine and Scott Menchin by Mary Yeung
Dean Stefanides
Ruben DeAnda
Bick Arzonetti by Curvin O’Rielly
Posters by Masatoshi Toda by Kazumasa Nagai
ABOLISH TORTURE Graphic & Photographic Posters by Gustavo Espinosa and Paul Peter Piech by Reiner Diederich
Bright Star of Graphic Design, Richelle J. Huff
Spirit of Fashion Photography 1900-1980’s by Ikuro Takano
Series 7: Art in New York Today, Red Spot Turns the Urban Scene into a Screen Theater by Shoichiro Higuchi
Special Feature: ’88 Graduation Works of Graphic Design Students
College of Architecture and Design, Kookmin University
The Industrial Designer’s Role in the year of 2000 by Midori Imatake
Visual Design Art of 72nd NIKA Exhibition
The 48th Annual Exhibition of Art Culture Association

Details

Linked Information

Idea 209, 1988-7. Cover design by Jérôme Oudin
Idea 209, 1988-7. Cover design by Jérôme Oudin
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.