Information

Cover Design: Michel Bouvet
Editor in chief: Fumio Sudoh
Editorial Director: Ko Konishi
Publisher: Shigeo Ogawa
Editorial Cooperation: Midori Imatake
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Masuteru Aoba

Content includes:
Saul Bass/Herb Yager and Associates
Joan Hall by Yosuke Kawamura
Graffiti by Alastair Johnston
François Rappo
Yosh Kashiwabara by Masaaki Tanaka
BDFS Packaging & New Product Development Ltd.
HKDA Show 1986 by Cheung Man Yee, Kan Tai-Keung
Michael Peters Group PLC – Corporate Identity: The Total Approach by Pamela Conway
Postage Stamps in Canada by Burton Kramer
Cathy Millet by Shigeru Watano
Italian Glass Craft Artists: Laura de Santillana, Alessandro de Santillana by Piero Fornasetti
Ilan Molcho – An Excellent Ambassador of Young Graphic Design in Israel by Izzika Gaon
’87 “JIYU BOX” Exhibition by JPDA’s Member by Koichi Nakai
Heinz F. Kroehl
Katsuhiro Yamaguchi Video Spectacle by Mitsuo Katsui
Jean-François Arrigoni Neri
Mark Fisher and James M. Shook by Bhob Stewart
Robert Buxbaum – Metaphysics of Transparency by Shoichiro Higuchi
The Latest Works of Antonín Juračka by Jan Rajlich
1987 Illustrator’s Hall of Fame and Hamilton King Award by Shin’ichiro Tora

Details

Linked Information

Idea 205, 1987-11. Cover design by Michel Bouvet
Idea 205, 1987-11. Cover design by Michel Bouvet
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.