Information

Cover Design: Michael Manwaring
Editor in chief: Yoshihisa Ishihara
Editorial Director: Hisao Matsumoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Louis Fishauf and a New Wave by Carol Stevens
Blair Drawson: Canadian Ukiyoe-Illustrator which reminds us of Japanese Wood-cut-printer in Edo era
Latest Works of Helene Majera by François Vie
Carin Goldberg: Artist-Designer od Refreshing Eclectism by Gail Rigelhaupt, Carin Goldberg
Visual Circus ’85 Latest Works with Visual Trick by Shigeo Fukuda by Shigeo Fukuda
Seven by Hiroshi Nakahara
Illustrations by Daniel Jan by Shigeru Watano
The Art Directors Club “Hall of Fame 1984” by Charles Eames, Wallace Elton, Sam Scali. Louis Silverstein
International Design Symposium ’85 by Midori Imatake, George Nelson
New Trend in Photography as Observed at Tsukuba Museum of photography ’85 by Yoshiro Nakamura
Post Modern Colour: New Furniture Exhibition
Special Feature: ’85 Graduation Works of Graphic Design Students
Visual Design Art of 69th Nika Exhibition by Yoshihisa Ishihara
The 45th Annual Exhibition of Art Culture Association
Exhibition News, Book Review
Domestic News
Overseas News, Addressed of Contributors

Details

Linked Information

Idea 191, 1985-7. Cover design by Michael Manwaring
Idea 191, 1985-7. Cover design by Michael Manwaring
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.