Information

Cover Illustration: Jacques N. Garamond
Table of Contents Design: Hiromi Nakata
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Pentagram Design on Madison Square by Colin Forbes, Midori Imatake, Yoshihisa Ishihara
The Human Body: A three dimensional study Designed by David Pelham by Shigeru Watano
A. M. Cassandre Exhibition 1901-1968 by Shigeru Watano
Typoposters by Jan Solpera by Jan Rajlich, Jan Solpera
Special Feature: Type Directors Club 30th Annual Exhibition by Tadasu Fukano, Shoyu Ohmachi
Report / Signages & Mural paintings in East Africa by Alastair Johnson
Jacques N. Garamond by Pierre Vincent
Great Editorial Director, Henry Wolf by Hideo Mukai, Kazumasa Nagai, Gan Hosoya
Typo-Eye New York Exhibition by Shinichiro Tora
Art Against War Exhibition by Shinichiro Tora
Wood Package Committee Exhibition by Kozo Okada
Works of Masaaki Izumiya: Which Combines Material and Mind by Hideo Mukai
A Straight Road, Makoto Saitoh by Yusaku Kamekura
Poster Contest for Conservation of Natural Environment in Africa by Takenobu Igarashi
Curtis Knapp by Curtis Knapp
Tsuneo Taniuchi by Toshihiro Katayama
Visual Circus Lesson 6 by Shigeo Fukuda

Details

Linked Information

Idea 189 1985 3
Idea 189, 1985-3. Cover design by Jacques N. Garamond

More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.