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Content includes:
Edgar Reinhard’s Exhibit Design by Shigeru Watano
Display at Mikimoto main store by Kazumasa Nagai
VISIC: New Project for Vision and Sound by Yoshiro Nakamura
Calendar for Seibu Museum of Art by Toshihiro Katayama
Two medalists at Brno Biennale ’80 Vladimír Gazović and Ivan Ostafiychuk by Akiko Hyuga
Package Designers Council’s 1981 PDC Gold Awards Competition Charles Biondo, Shinichiro Tora
Oswaldo Miranda, a Designer from a Small City Brazil by Midori Imatake
Special Feature: Society of Illustrators 24th Annual Exhibition by Shin’ichiro Tora The 42nd Annual Exhibition of Art Culture Association

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Idea 174, 1982-9. Cover design by Takenobu Igarashi.
Idea 174, 1982-9. Cover design by Takenobu Igarashi.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.