Information

Cover Illustration: Stephan Kantscheff
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Stephan Kantscheff / Bulgaria
Jim Heimann
Javques Poirier by Shigeru Watano
Jacques Richez traps colours behind drawing
Yôji Yamamoto, Art Director by Kazumasa Nagai
The Symbol Marks of Shigeo Katsuoka by Hideo Mukai
Lahti IV Poster Biennale bt U. G. Sato
Beyond Food, Clothing and Shelter / Design Forum ’81 Biennale by Shigeo Fukuda
The Japanese Graphic Idea Exhibition ’81 Held at Master Eagle Gallery, New York by Shinichiro Tora, Yoshihisa Ishihara, James Craig, Brenda Suler, Bob Cullinane, Diane Di Lauro, U. G. Sato
Special feature: Type Directors Club 27th Annual Exhibition by Bonita Hazelton, Stanley Markocki, Yasaburo Kuwayama, Motoaki Okuizumi

Details

Linked Information

Idea 170, 1982-1. Cover design by Stephan Kantscheff
Idea 170, 1982-1. Cover design by Stephan Kantscheff

Idea 170, 1982-1 Inner Spread
Idea 170, 1982-1 Inner Spread

 

Idea 170, 1982-1 Inner Spread
Idea 170, 1982-1 Inner Spread

 

Idea 170, 1982-1 Inner Spread
Idea 170, 1982-1 Inner Spread

 

Idea 170, 1982-1. Stamp designs by Stephan Kantscheff
Idea 170, 1982-1. Stamp designs by Stephan Kantscheff
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.