Information

Cover Art Direction: Keisuke Nagatomo
Cover Illustration: Seitaro Kuroda
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Special feature: Society of Illustrators 23rd Annual Exhibition by Shinichiro Tora
Haruo Miyauchi’s One-man Exhibition by Kazumasa Nagai
Print Gallery, Amsterdam “Mail Art Project” by Shigeru Watano
Douglas Allen Doolittle
About the Jean Robert and Käti Durrer Studio in Zürich, Switzerland by Shigeru Watano
Portpia ’81 by The Editors of IDEA
Designer’s role in jewelry design by Midori Imatake
The Design Conference That Just Happens To Be In Park City
Three Illustrators in Californiz: Jim Evans, Tom Nikosey, Louis Scott by Toshifumi Kawahara
A book for seeing: Projekte Projects
Images by Leo Lionni
Japanese Graphic Idea Awards Exhibition ’81

Details

Linked Information

Idea 168, 1981-9. Cover design by Seitaro Kuroda
Idea 168, 1981-9. Cover design by Seitaro Kuroda
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.