Information

ditor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Printers: Nishiki Printing Co., Ltd.
Printers: Mitsumura Printing Co., Ltd.
Printers: Dainippon Printing Co., Ltd.
Cover Design: Mick Haggerty

Content includes:
Special feature: The Society of Illustrators 22nd Annual Exhibition: Editorial Category, Book Category, Advertising Category, Institutional Category, Most Outstanding, Norman Rockwell Award, TV/Film Category, Foreign Category
Recent Works of Mick Haggerty by Takenobu Igarashi
In the Turning of the Page: The Work of Frances Butler by Marc Treib
Simon Jennings by Shigeru Watano
Kazumasa Nagai, One-Man Show Drawing by Mamoru Yonekura
The Book for Gazing by Anton Stankowski Alain Carré by Midori Imatake
The 8th International Poster Biennale, Warshaw 1980 by Makoto Nakamura
Report from the “Packaging Graphics in Japan” New York Exhibition by Shinichiro Tora
The Art and Advertising Design Department of New York City Community College by Prof. Benjamin Einhorn

Details

Linked Information

Idea 163, 1980-11. Cover design by Mick Haggerty
Idea 163, 1980-11. Cover design by Mick Haggerty
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.