Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover Design: John Collier

Content includes:
Works of John Collier by Yoshio Hayakawa
Four Young Illustrators from California by Don Weller
Sixty Years of the Soviet Poster by Jan Rajlich
Background of Frans van Mouriks Design of Educational Materials by Shigeru Watano
Graphic Design in Korea by Sihwa Chung
Posters of Michel Spera by Takenobu Igarashi
Graphics on a Grand Scale by Midori Imatake
Mike Quon by Takenobu Igarashi
Paul Peter Piech
“My Chairs” by Kazumasa Nagai
15 Triangular Posters
The Partners’ Graphic Identity Program by Otto L. Speath Jr.
“Patented” Art by Leopold Pospisil
’79 Graduation Works of Graphic Design Students
Suntory’s Art Posters
The 39th Annual Exhibition of Art Culture Association

Details

Linked Information

Idea 155, 1979-7. Cover design by John Collier
Idea 155, 1979-7. Cover design by John Collier
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.