Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office and Midori Imatake
Cover Design: Seymour Chwast

Content includes:
The One Show 1975 Co-sponsored by the Art Directors Club of New York and the Copy Club of New York
Mr. Lou Dorfsman, Ex-president of the Art Directors Club, Talks About the 3rd One Show Interview with Mr. Dorfsman, interviewer: Shin’ichiro Tora
Ms. Ellen Hedy Schultz, New President of the Art Directors Club
On Entries from Japan for International Division Interview with Mr. George Nakano, Judge, International interviewer: Shin’ichiro Tora
Separate Awards Presentation for Advertising and Editorial & Graphic Design Departments in the 3rd One Show Interview with Mr. Bernie Zlotnick Chairman of the 3rd One Show inteviewer: Shin’ichiro Tora
Editorial & Graphic Design Awards in the 3rd One Show Interview with Mr. Seymour Chwast, Co-chairman of the Editorial Graphic Design Jury interviewer: Shin’ichiro Tora
On The One Show Exhibition by Shin’ichiro Tora
An Approach to International Symbol System, AIGA Proposes a New Set of Transportation Symbols by Shigeo Fukuda
A City Graphics Program for Rochester, New York by Midori Imatake
Keith Godard of Works Kenneth Frampton
Works selected by ADC of Tokyo, 1975 Ryuichi Yamashiro
“International Advertising & Graphic Exhibition” and “Design & Art Directiors of London”
Yoshio Hayakawa’s Personal Exhibition by Shin’ichi Segi
Corporate Marks Designed by Sudarshan Dheer by Yasaburo Kuwayama
Paul Davis Exhibition in Japan
The 35th Annual Exhibition of Art Culture Association

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Linked Information

Idea 134, 1976-1. Cover design by Seymour Chwast
Idea 134, 1976-1. Cover design by Seymour Chwast
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.