Information

Editor: Yoshihisa Ishihara
Art Director: Hiroshi Ohchi
Cover Design: Haruo Miyauchi

Contents include:
Haruo Miyauchi, Push Pun Studios, Now York [sic.]
Zenji Funabashi, Wood Craft, Canada
Richard C. Runyon Design Incorporated
Mark English
Joseph Binder by Kim Levin
AIGA “Learning Materials 1973”
Elements of idea “Moire”
’74 Graduation Works of Graphic Art Students
Ayao Yamana
International Computer Art Exhibition
’74 Greeting Card & Calendar
Ronald Bosc
Illustrator, Mel Furukawa
“Supergraphic” for kindergarten
Today’s Japanese Wallpaper
Jams F. Fulton + Partners

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Linked Information

Idea 125, 1974-7. Cover design by Haruo Miyauchi
Idea 125, 1974-7. Cover design by Haruo Miyauchi

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From the design archive:
From the design archive:
From the design archive:
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.