Information

Content includes:
Ewald Breuer
ICSID ’73 KYOTO
Art Direction of SM by Wim Crouwel
Erberto Carboni by Guido Piovene, Marco Valsecchi
An Artist’s Career by Fritz Eichenberg
Traditional Japanese Package Designs Show
Opening Campaign for Shibuya PARCO by Jun Kusakari
Marie Michal
Jan Lenica’s Poster and Animated Film
Elements of idea “Silhouettes” by Shigeo Fukuda
Identification for Shimoda Prince Hotel
Taki Takamura’s Illustration
Wedag – Workshop of Environmental Design, Athens, Greece.
Tableaux by Yukio Kanise
The 8th Exhibition of Japan Package Design Association (JPDA)
Promotion Pieces of Esquire

Details

Linked Information

Idea 122, 1974. Cover design by Erbert Carboni.
Idea 122, 1974. Cover design by Erbert0 Carboni.

 

Idea 122, 174 - Wim Crouwel Feature
Idea 122, 174 – Wim Crouwel Feature

 

Idea 122, 174 - Wim Crouwel Feature
Idea 122, 174 – Wim Crouwel Feature

 

Idea 122, 174 - Erberto Carboni
Idea 122, 174 – Erberto Carboni

 

Idea 122, 174 - Erberto Carboni
Idea 122, 174 – Erberto Carboni
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.