Information

Editor: Yoshihisa Ishihara
Art Director: Hiroshi Ohchi
Cover Design: Piero Fornasetti

Contents include:
Franz F. H. Wagner in medical communication art
Arthur Paul in lineal drowings [sic.] by Akiko Hyuga
Piero Fornasetti’s Still Life by Hiroshi Ohchi
Sidney Rothberg
Graphics of Paul Peter Piech
Takenobu Igarashi and his Works by Mitsu Takaoka
’73 Graduation works of graphic art students
Elements of idea “Inlaid Figures” by Shigeo Fukuda
Notes about Sake Labels, Boxes and Bottles by Seymour Chwast
Greeting Card and Calendar
Nine Designers in Los Angeles: John and Barbara Casado Design, Peter Palombi, Odgers + Hinckley, Dave Bhang, Weller & Juett and Ignacio Gomez

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Idea 119, 1973-7. Cover design by Piero Fornasetti
Idea 119, 1973-7. Cover design by Piero Fornasetti
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.