Information

Content includes:
Norman Adams
Lines connected dots by Shigeo Fukuda
Otto Treumann
Formative Arts of Variable Polyhedrons by Taikei Akiyama
A. D. C. of N.Y. Project: “Making New York Understandable” by Shin-ichiro Tora
Kozo Mio and his world
Geometric Machine Patterns
Ecology and the needs for Visual Design by Ladislav Sutnar
On the Work of Charles Bragg by Arthur Secunda
“Metamorphic Form” by Masaru Kimura
Sheldon Seidler
Ed Renfro
Exhibition of the British Designs
Collage by R. Yamashiro
“S. Imatake in the Square”
Traditional Japanese Package Designs
Personal Exhibition by Kenji Ito
Zen-On Music Calendar 1973

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Linked Information

Idea 117, 1973-3. Cover design by Otto Treumann
Idea 117, 1973-3. Cover design by Otto Treumann
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.