Information

Editor: Yoshihisa Ishihara
Art Director: Hiroshi Ohchi
Cover Design: Hiroshi Ohchi

Contents include:
Roger Zimmerman manifests his versatile character [sic.]
Two Cuban Designers by Shigeo Fukuda
Walfgang Walter by Hiromu Hara
Jean-Pierre Huster by Hiroshi Kojitani
Herman Bongard by Hiroshi Ohchi
James D. Gillbert
Greeting & Calendar
Bauhaus by Hiroshi Ohchi, Takeachiyo Uemura, Shutaro Mukai
Recent ads of Ohrbach’s by Sheldon Harris
Graduation Works of Graphic Art Students
Elements of idea by Shigeo Fukuda

Details

Linked Information

Idea 107, 1971-7. Cover design by Hiroshi Ohchi
Idea 107, 1971-7. Cover design by Hiroshi Ohchi

Idea 107, 1971-7
Idea 107, 1971-7 – Roger Zimmerman

 

Idea 107, 1971-7
Idea 107, 1971-7 – Felix Beltrain
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.