Information

Content includes:
Horst Munzig: Hausschlachtung
George Stubbs: Wenn es kein Fleisch gäbe
Corpaato
Bernd Sumalowitsch: Fruchtfleisch M eins zu eins
Einar Tiits: The Jungle 1
Upton Sinclair und Werner Huthmacher: The Jungle 2
Volker Elis Pilgrim: igitt!
Joao Ribeiro und Hans Staden: Brasilien, Brasilien
Brüder Grimm: Wie Kinder schlachtens miteinander gespielt haben
Bettina Böhmer: tatau
Claus Urban und Franz Werner: Fleischessünde
Tom Eckersley
Andreas Stötzner
Ruedi Baur

Details

Linked Information

HQ- High Quality, Heft 26 2/1993. Designed by Büro Rolf Müller
HQ- High Quality, Heft 26 2/1993. Designed by Büro Rolf Müller

 

HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature
HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature

 

HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature
HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature

 

HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature
HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature

 

HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature
HQ- High Quality, Heft 26 2/1993. Tom Eckersley Feature
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.