Information

Content includes:
Frédéric Ditis, Paris: Visuels. A New Series of Scientific Books
George Giusti, New York: The Art Directors Club of New York. 40th Exposition of Advertising and Editorial Art 1961
Frit Seitz, Stuttgart: Anton Stankowski
Gillo Dorfles, Milano: Aldo Calabresi
J.R. Colombo, Toronto: Louis De Niverville
Marvin Rubin, Los Angeles: American Illustrators
Dr. Willy Rotzler, Zürch: Gifts from an Advertising Angency
Paul Standard, New York: Early Writing Masters

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Linked Information

Graphis 98, 1961. Cover design by Heiri Steiner.
Graphis 98, 1961. Cover design by Heiri Steiner.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.