Information

Content includes:
Henri Rousseau (Hans Naef)
The Calendar as Goodwill Publicity (P. Arthur)
Radio & Television – The Promotion of an Advertising Medium (Georgine Oeri)
Gene & Helen Federico (Paul Rand)
Herve Moran (William B. McDonald)
Hans Neuburg (Hans Fischli)
The Letter as a Work of Art (Charles Rosner)
Two Finnish Painters (Annikki Toikka-Karvonen)
Fritz Eichenberg (George Amberg)
Grandville (Denys Chevalier)
Gustave Dore. Caricatures from his School Days (Lucien de Dardel)
A Recently Discovered Drawing by Ingres (Hans Naef)

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Linked Information

Graphis 43 1952
Graphis 43, 1952. Cover design by George Giusti
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.