Information

Content includes:
Antoni Clave (Francois Stahly)
A.M. Cassandre (Bernard Champigneulle)
The Art Directors Club of New York: 29th Annual Exhibition of Advertising and Editorial Art, New York 1950 (Charles Rosner)
Physiographs (George T. Hillman)
English Book Illustration Today (James Boswell)
Commercial Art in Post-War Germany ( Eberhard Holscher)
Erberto Carboni (Gianni Monnet)
Dulciora, a “graphic” confectioner’s shop in Milan (Gio Ponti)
Treize planches de Cornelia
Nus de Lucas Cranach I’Ancien

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Linked Information

Graphis 34, 1951. Cover design by Antoni Clavé
Graphis 34, 1951. Cover design by Antoni Clavé
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.