Information

Content includes:
Death and the Statues (Text:Jean Cocteau; Photos: Pierre Jahan)
Paul Rand (Georgine Oeri)
Salvador Dali 1946 (Georges Borgeaud)
Orneore Metelli. The Shoemaker of Terni
Villemot. (W.H. Allner)
The “La Fontaine” of the Later Middle Ages in the Early Prints (Arnold Pfister)
Ashley: Keep Death off the Road
State and Industrial Design in Great Britain (Noel Carrington)
Franciszka Themerson (Charles Rosner)
Fritz Pauli: In Praise of Fresco (Introduction: Wilhelm Sulser)
New Swiss Posters (Georgine Oeri)
Three Centuries of French Bookbinding (Alfred Hoefliger)
Advertising Art in Post-War Italy (Antonio Boggeri)

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Linked Information

Graphis 18, 1947
Graphis 18, 1947
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.