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Content includes:
The One Show. The 54th Annual Exhibition of the Art Directors Club in Association with the 15th Annual Copy Club of New York Awards Competition, by Jerome Snyder, New York
Roland Topor, by Manuel Gasser, Zurich
Grafik-Design Deutschland 71/72/73/74, by Hans Kuh, Zurich
Co-ordinated Packaging Design for Department-Store Brands, by Urs Fanger, Zurich
Kroehl Design Group, by Hans Kuh, Zurich
Marguerita, by Stanley Mason, Zurich
Annecy 75: 10th International Cartoon Film Festival, by Nino Weinstock, Basle
Photosculptures by Klaus Kammerichs, by Hans Kuh, Zurich

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Graphis 179, 1975. Cover design by Roland Topor.
Graphis 179, 1975. Cover design by Roland Topor
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.