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Content includes:
Heinz Edelmann, by Manuel Gasser, Zurich
Recent Czech Posters, by Dr. Thomas Vlcek, Prague
Kurt Londenberg: Creativity in Paper, by Alastair Allen, Ludlow
Graphic Designs to Suit the Occasion, by Stanley Mason, Zurich
Invitations to special events, contests and exhibitions, by William B. McDonald, London
Ralph Steadman, by Dr. Willy Rotzler, Zurich
Jose Guadalupe Posada: The Greatest of Popular Mexican Printmakers, by Roberto Moss, Madrid
Ex Libris: A dying art form? by Stanley Mason, Zurich

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Graphis 166, 1973. Cover design by Heinz Edelmann.
Graphis 166, 1973. Cover design by Heinz Edelmann.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.