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Content includes:
Robert C. Reed, New York: Art Directors Club of New York. 46th Exhibition of Advertising and Editorial Art
Erika Billeter, Zürich: Teresa Byszewska
Leo Lionni, Genua: Jean Michel Folon
François Stahly, Paris: Erik Martin
Erika Billeter, Zürich: On the Iconography of Prehistoric Cave Paintings
Michel Ragon, Paris: François Stahly. His Contribution to the Integration of the Arts
G.K. Howard, London: Artists’ Christmas and New Year’s Cards
Hans Finsler, Zürich: Samuel Haskins, Johannesburg: African Image

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Graphis 130, 1967. Cover design by Jean Michel Folon.
Graphis 130, 1967. Cover design by Jean Michel Folon.
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.