Information

Content includes:
Margit Staber, Zürich: Swiss Posters 1966
Pierre Descargues, Paris: Compagnie de l’Esthétique Industrielle (CEI), Raymond Loewy, Paris
Jerome Snyder, New York: The Eighth Annual Exhibition of American Illustration
Jerome Snyder, New York: Etienne Delessert
Dr. Erika Billeter, Zürich: Aghthamar. Christian Images in Armenian Anatolia
Manuel Gasser, Zürich: Letters to Lisa
Jerzy Wasniewsky, Warszawa: Polish Circus Posters
Angéle Baumeister, Zürich: HAP Grieshaber. The Dance of Death at Basle
Jean Duvoisin, Paris: Le Déserteur. A French refugee becomes a Swiss peasant painter
Stanley Mason, Zurich: Scanadart. Scandinavian Advertising and Editorial Art
Dr. Maria Netter, Basle: René Auberjonois

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Linked Information

Graphis 128, 1967. Cover design by Etienne Delessert.
Graphis 128, 1967. Cover design by Etienne Delessert.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.