Information

Content includes:
Adolf Wirz, Zürich: Art Directors Club of New York. 43rd Annual Exhibition of Advertising and Editorial Art 1964
Michel Ragon, Paris: Recent Examples of the Integration of the Arts
Elaine L. Johnson, New York: The Museum of Modern Art, New York. Contemporary Painters and Sculptors as Printmakers
Carlos Nieto, Madrid: Fernando Olmos
Juan Perucho, Barcelona: José Pla-Narbona
Stanley Mason, Zürich: English Merchants’ and Tradesman’s Marks
Nanine Bilski, New York: Norman Lalibarté. Banners
Eduard Prüssem, Köln: Donkey Post
Stanley Mason, Zürich: Towards an International Symbology
Margit Staber, Zürich: Icograda. First Congress, Zurich, 1964

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Graphis 116, 1964. Cover design by Eduard Prüssen.
Graphis 116, 1964. Cover design by Eduard Prüssen.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.