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Content includes:
Hans Kasser, Zürich: Swiss Posters 1962
Manuel Gasser, Zürich: Sam Francis. Lithographs
Marcel Brion, Paris: Carpets by Abstract Painters
Dr. Willy Rotzler, Zürich: Public Signs and Lettering
René Creux, Paudex/Lausanne: Inn-Signs against the Sky
Sandro Bocola, Paris Fomento des las artes decorativas Barcelona. Spain’s First Designers’ Association
Michel Faré, Paris: Examples of Contemporary Pottery
Will Burtin, New York: On Corporate Images

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Graphis 104, 1962. Cover design by Sam Francis.
Graphis 104, 1962. Cover design by Sam Francis.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.