Information

Content includes:
Alexandre Alexandre – Antoni Clavé – Stage-settings and Gebrauchsgraphik Graphic Advertising Art
Eberhard Hölscher – German Posters 1959/60
Remigius Netzer – Wilhelm Neufeld- Illustrations for Goethe’s «Faust-
J. J. Meyer – Leaders for English Tele-Broadcasts
Carl Heussner – New Departure in Automobile Advertising
Eberhard Hölscher – Old Polish Wood-Cuts
Ludwig Ebenhöh – Barbara and Hannes Geissler – Graphic Advertising Art
Hans Kuh – New Devotional Pictures from America
Alexandre Alexandre – Wine labels by French Painters
«Neue Haas-Grotesk» – a type of the Haas’sche Gießerei, Münchenstein Switzerland

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Linked Information

Gebrauchsgraphik, 8, 1960
Gebrauchsgraphik, 8, 1960
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.