Information

Content includes:
Eberhard Hölscher: The best German posters of 1954
Eberhard Hölscher: Industrial posters without compromise?
Anton Sailer: Graphic artist Paul Flora
Ludwig Ebenhöh: Irish commercial art
Alexandre Alexandre: French titles of musical compositions
Felix Kramer: Modern advertising in the daily newspapers
Franz Hermann Wills: Werner Bürger, Berlin. Book covers and illustrations
Ingeborg Meinecke: Swiss youth advertises «Persil»
Lucienne R. Alexandre: The show windows of the «Galeries Lafayette»
Eberhard Hölscher: Arthur Zelger, Austrian commercial art
« Phoebus», a type of the type foundry Deberny et Peignot, Paris

Details

Linked Information

Gebrauchsgraphik, 8, 1955
Gebrauchsgraphik, 8, 1955
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.