Information

Content includes:
Eberhard Hölscher: The best German posters of 1953
Leopold Nettelhorst: Works of former pupils of Professor O. H. W. Hadank, Hamburg
Eberhard Hölscher: Propaganda for linoleum. An Italian sequence of advertisements
Max Körner : Results of a competition for a Chopin poster
Toni Feldenkirchen: Advertisements of the cigarette factory «Haus Neuerburg»
Ludwig Ebenhöh: New Hungarian posters
«Diotima», a type of the type foundry D. Stempel A.-G., Frankfurt a. Main

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Linked Information

Gebrauchsgraphik, 8, 1954. Cover design by Helmut Lortz
Gebrauchsgraphik, 8, 1954. Cover design by Helmut Lortz
IMG 4725
Gebrauchsgraphik, 8, 1954
IMG 4724
Gebrauchsgraphik, 8, 1954
Gebrauchsgraphik, 8, 1954
Gebrauchsgraphik, 8, 1954
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.