Information

Content includes:
Ludwig Ebenhöh: German-French studio for textile-design
Eberhard Hölscher: Advertising velvet. Prospectuses by Sigrid and Hans Lämmle
Eberhard Hölscher: UHU – the glue for you. A series of advertisements by Michael Engelmann
Carl Heussner: J.A. Grose, Krumbach. Commercial and book graphic art
Glory Harris: New-look in American package design
Hans Kuh: Selfportraits of plants. An 18th century technique of printing
Eberhard Hölscher: Gruau – wizard of fashion
Ludwig Ebenhöh: Typography and music
Carl Heussner: Jochen Bartsch, Book and press illustrations

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Linked Information

Gebrauchsgraphik, 6, 1957
Gebrauchsgraphik, 6, 1957
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.