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Content includes:
Raimond Hrabak – Massimo Vignelli, an Italian Advertising Artist
Eberhard Hölscher – Hungarian Posters
J.J. de Lucio-Meyer – Louis Klein – Ideas for London and New York
Alexandre Alexandre -Windows-Displays for Hermès by Annie Baumel
Theodor Hilten – Felix Beltran, Cuba, Trade-Marks and Signets
Jakob Reisner – «Genesis» – Illustrationd by Lajos Száláy
Hans Kuh – Studio Dieter Urban Graphic Art and Advertising
Eberhard Hölscher – A Whale Advertises, Ann Inn-Sign from the 18th Century

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Gebrauchsgraphik, 4, 1967
Gebrauchsgraphik, 4, 1967
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.