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Content includes:
Amrin Eichholz – Jen Lenica Presents «Adam II» A Film by the Polish Artist
Eberhard Hölscher – The New Image Of «documenta» Graphic Designs by Karl Oskar Blase
Franz Hermann Willis – Jörg Hermel Paris Commercial Art
Jan Berger – A Prize-Winning Display Design by Ettore Neglia
Philipp Luidl – Picture, Letter – Letter, Picture
Remigius Netzer – Book Illustrations by Friedl Rasp
Dieter Hinrichs – On the MIRASK-Series by Dieter Hinrichs
Hans Kuh – Fashion Catalogs by R.P. Rieker
Ludwig Ebenhöh – Carneval in Cologne Results Of A Student Competition

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Gebrauchsgraphik, 3, 1969
Gebrauchsgraphik, 3, 1969

Gebrauchsgraphik, 3, 1969 Inner
Gebrauchsgraphik, 3, 1969 Inner

 

Gebrauchsgraphik, 3, 1969 Inner
Gebrauchsgraphik, 3, 1969 Inner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.