Information

Content includes:
L. Fritz Gruber: London’ Coronation Decoration
Eberhard Hölscher: Italian prospectuses for films
Anton Sailer: Alice Bronsch, Berlin • Show-windows
Anton Sailer: Werner Rebhuhn. Hamburg. Book covers
Eberhard Hölscher: William P. Heiter, Venezuela
Hans Mollier: Physiognomy and apperception. Drawings by Henry Meyer-Brockmann, Munich
Eberhard Hölscher: Five years of Nowea-publicity
Ludwig Ebenhöh: Oleg Zinger, Paris
Eberhard Hölscher: Figurines for publicity
Anton Sailer: Nobel Prize documents
Max Körner: Kieler Woche / The Week at Kiel
«Clarendon», a type of the type foundry Haas, Münchenstein/Switzerland

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Linked Information

Gebrauchsgraphik, 3, 1953
Gebrauchsgraphik, 3, 1953
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.